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Chamber group opens BAG fall concerts

La Modestine’s music defined as ‘stylus fantasticus’
The BAG is hosting a wide range of shows this fall season.

The Brackendale Art Gallery will take a step back to the 17th century on Sept. 23 when it presents a concert by La Modestine.

The West Coast-based chamber music group will be performing “Sudden Beauty,” a concert of classical music from the 17th century.

Chamber music’s origins are often linked more to the 18th century and with string quartets, but La Modestine’s repertoire stretches further back in time. The group includes two violins and a viola da gamba, similar to a cello. It also includes keyboards instruments – usually organ and especially harpsichord.

“That would have been the keyboard instrument for this repertoire,” member Natalie Mackie told The СƵ. 

The quartet is comprised of Mackie on viola da gamba, Marc Destrubé and Linda Melsted on violins and Michael Jarvis on harpsichord. “It’s a pretty standard formation for us,” Mackie said.

La Modestine represents a new coming together, though the players are all familiar with each other.

“We’ve all played together for many years in various combinations of chamber music,” she said.  “We just decided there was a lot of repertoire we wanted to do. We enjoy playing with each other, so we decided to form an ensemble.”

The quartet is starting to rehearse for the concert at the Brackendale Art Gallery and will also be performing the same program in Vancouver on Sept. 24.

The members of La Modestine have been involved in a wide array of other projects.

Mackie, herself, studied cello in Quebec before getting her degree in music from UСƵ, where she began studying the viola da gamba. 

She has performed throughout Canada and the U.S. with the New World Consort, Les Coucous Bénévoles, Tafelmusik Baroque Orchestra, Seattle and Portland Baroque Orchestras, Les Voix Humaines, Les Voix Baroques, Tempo Rubato, Oregon Bach Festival Orchestra, Victoria Baroque Players and Vancouver Intercultural Orchestra.

Destrubé is a founding member of the Tafelmusik Orchestra and is also co-concertmaster of Frans Bruggen’s Orchestra of the 18th Century and a member of Axelrod String Quartet, the Smithsonian Institute’s quartet-in-residence. 

He first came to the BAG when he was with the Purcell Strings in 1987. Several years ago, he offered to bring an octet and has been bringing different combinations to town once or twice a year.

Melsted has worked with Tafelmusik, the Freiburg Baroque Orchestra, the Portland, Seattle, and Pacific Baroque Orchestras and Pacific MusicWorks, and she has recorded for Sony, ATMA Classique and Harmonia Mundi.

Keyboardist Michael Jarvis has played with many leading orchestras and chamber ensembles here, as well as in the U.S. and Europe, and is also a conductor. He has recorded for many record labels such as Marquis Classics, Hungaroton, ATMA, Naxos, Solitudes and Avalon.

La Modestine’s music, for the most part, comes from the mid- to late-17th century with a little from the early 18th century.

“This particular concert is mostly German and English music,” Mackie says. 

“It’s a particularly kind of flavourful period,” 

It emerged, she explains, from a style called “stylus fantasticus,” which she describes as being composed to give the feeling of improvisation, with dramatic harmonies, tempo changes and short sections.

“It’s a very kind of intriguing and almost experimental harmonic little corner,” she adds.

The program will feature works by Johann Adam Reincken, Dieterich Buxtehude, Johann Vierdanck and Henry Purcell. It starts at 8 p.m. on Friday, Sept. 23. Advance tickets are available at BAG and Xoco. 

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